![]() ![]() But I'm not sure if this is the right way. external is the same, always enabling the "full data levels" in Resolve. ![]() If I choose BT.2020 with C-Log 3, the result from internal vs. the external footage doesn't match at all, the external footage looks more yellow. Resolve has some options to automaticaly transform color space and gamut from LOG footage while using their own color science, the "DaVinci Wide Gamut", the only three Canon "Input color space" options available are "Canon Cinema Gamut/Canon Log", "Canon Cinema Gamut/Canon Log 2" and ""Canon Cinema Gamut/Canon Log 3", so I suppose the right combination would be the last option, considering that the EOS R5 only has C-log 3, but for some weird reason, the internal footage vs. The quiestion is, Which one should I use with the Atomos Ninja V? Now, the "Color space" and "Color Matrix": The EOS R5 has some options within the C-log menu, the "Color space" which shows only "BT.709" if the "Color Matrix" is set to "Cinema EOS Original", the "BT.2020" while using "C-log" combined with the "Neutral" Color Matrix, and the "Cinema Gamut" option which becomes available while using "C-Log 3". I avoid "legalizing" the video in the Atomos because it reduces the range of the video. full/non-legal range, this is fixed by avoiding Adobe Premiere and using Davinci Resolve instead, and then, choosing "Full" on the "Data levels" within the "Clip Attributes". This first one has to do with legal/video/partial range vs. ![]() This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.I jumped into the LOG hype some time ago, with the 5D Mark IV, the EOS R and now with the EOS R5, but I have found some caveats while using the Atomos Ninja V. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules ![]() Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. ![]()
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